Meeting with…

Meeting with...

Dinner with Mascot

Interview with Leeha Kim, director of Mascot What did you want to explore when creating this great character of a fox training...

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Tea time with Tio Tomás, a Contabilidade dos Dias [Uncle Thomas, Accounting For the Days]

Interview with Regina Pessoa, director of Tio Tomás, a Contabilidade dos Dias [Uncle Thomas, Accounting For the Days] Did your uncle pass...

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Lunch with Mustererkenntnis [Pattern Cognition]

Interview with Thorsten Fleisch, director of Mustererkenntnis [Pattern Cognition] How often do you direct cinematographic experiments? How many have you directed including a...

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Breakfast with Invisível Herói [Invisible Hero]

Interview with Christèle Alves Meira, director of Invisível Herói [Invisible Hero] The film, I believe, is staged, but it sometimes looks documentary....

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Night cap with Premier amour [First Love]

Interview with Haris Raftogiannis, director of Premier amour Why did you want to deal with the theme of desire? To love and...

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Dinner with Blessed Land

Interview with Lan Pham Ngoc, director of Blessed Land Why did you choose black and white? Actually, if you watch closely, you...

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Tea time with Important Police Shit

Interview with Andrew Betzer, director of Important Police Shit Can you explain the title? The title is supposed to sound like police...

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Lunch with Massacre

Interview with Maïté Sonnet, director of Massacre Tell us a little about how Massacre came about. I wanted tell the story of...

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Breakfast with How to Breathe in Kern County

Interview with Chris Filippone, director of How to Breathe in Kern County Where did you shoot? How did you select and find...

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Night cap with Frontiera

Interview with Alessandro Di Gregorio, director of Frontiera What motivated you to focus on Lampedusa? Me and the screenwriter, Ezio Abbate, wanted...