Meeting with...

Dinner with Haus

An interview with Joseph Amenta, director of Haus  Can you explain the title Haus? The title Haus has many meanings as it pertains...

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Tea time with Roughhouse

An interview with Jonathan Hodgson, director of Roughhouse  Are there any elements of this story that are autobiographical? Are the friends based...

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Breakfast with Mais Triste que Chuva num Recreio de Colégio

An interview with Lobo Mauro, director of Mais Triste que Chuva num Recreio de Colégio  Can you explain your choice of title?...

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Night cap with Ombligo de Agua

An interview with Laura Baumeister de Montis, director of Ombligo de Agua  Can you explain the choice of title? Our main character...

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Dinner with A Silent Dancing

An interview with Yura Gim, director of A Silent Dancing  How do you explain the choice of title? Yeonhui dances in silence....

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Lunch with Elektrika Diena

An interview with Vladimir Leschiov, director of Elektrika Diena  Why did you choose a power cut to kick off the series of...

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Breakfast with Mama

An interview with Vladimir Kott, director of Mama   Is there a particular reason you chose to set the film in the middle...

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Tea time with District 16, 16 Floors, 16 People

An interview with Tatevik Vardanyan, director of District 16, 16 Floors, 16 People  What gave you the idea to focus on this...

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Breakfast with Gosal [Fault Line]

An interview with Soheil Amirsharifi, director of Gosal [Fault Line]  Can you explain the title of Gosal [Fault Line]? As you know “Fault...

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Tea time with Interiør

An interview with Reed Van Dyk, director of Interiør  Why did you choose this particular title? I wish I knew. As with...